A great example of how the first-person horror subgenre works its magic, but it also highlights some of its core flaws.
Exquisite Terror / April 16, 2011
We Are What We Are
Deftly balances a horror premise with the politics of a family drama, marking Jorge Michel Grau as a filmmaker to watch.
Naila Scargill / April 11, 2011
With nicely subtle handling of its occult element, the film slowly builds an atmosphere and is more chilling as a result.
Naila Scargill / April 8, 2011