Teeming with macabre delights, Erik Hofstatter’s story is one that you don’t so much read as ravish.
The world Sono builds is engrossing and overwhelming, but the narrative never appears to shift out of first gear.
Hallmarks of the vampire genre coupled with a small-town America backdrop challenge patriarchal institutions.
Incredible performances drive an emotional weight that oozes a transcendent power guaranteed to haunt you.
Despite some shortcomings, Initiation, particularly in the wake of #MeToo, should be applauded for tackling these issues with gravity.
An impressive slow burner that develops beautifully through to a spine-chilling climax, with unexpected, shocking results.
This at times excruciating feminist satire is propelled forward by Gillian Wallace Horvat’s delightfully deadpan delivery.
An unapologetically ridiculous, trippy ride that will satisfy ardent fans of carefree horrors and, of course, Nicolas Cage himself.
With a strangeness equalled by its unambiguity, Little Nightmares II has a fearless simplicity that allows the eerie, ethereal beauty of its visuals, music and sound effects to shine.
A nuanced study of dementia and its alienating effects; an exceptional screenplay creates thematic cues throughout that can be felt in every microfibre.
Scratches the surface of what the genre is capable of enunciating, but still provides the pales of gore and absurdity that make it so perpetually fascinating.
For gamers who can forgive certain flaws, Maid of Sker has a disturbing atmosphere and some wonderful eccentricities that are worth exploring.
This window into Viktor Wynd's unknown world is an invitation to be disarmed and seduced by the strange, the forbidden, and the inexplicable.
Much like the work of Don DeLillo or David Lynch, the narrative summons more questions and mysteries than conclusions or answers.
A terse, tight-fisted thriller possessing an inadvertent power that allows the audience to connect with the characters and their dire circumstances.
A highly enjoyable, atmospheric thriller that unfortunately tails off into a mere breeze instead of building into the raging, frenzied tempest it could have been.
Peppered with moments of pastiche, Kirill Sokolov's debut has a zany, kinetic energy that will appeal to admirers of off-kilter, graphic and darkly comic cult cinema.
With its gritty cinematography, amplified violence and John Carpenter-esque soundtrack, VFW is a gruesomely entertaining bloodbath that oozes with nostalgia.
A spellbinding tale of forbidden knowledge, ancient otherworldly entities, strange cults, and alien worlds that lurk unseen on the periphery of our own.
Occasionally eerie but doesn’t surprise us with any unique quirks that make it more than a one-dimensional creature feature.
Lane's documentary delivers a unique perspective: an inverted, transposed battle of good vs. evil that’s farcical and horrifying in equal measures.
While this feature has a couple of notably gory moments, it seems to ignore the crucial cues that define and distinguish the genre.
Brilliantly tragic and darkly comical performances successfully communicate the nihilistic sentiments at Videoman's core.
A compelling plot explores Stephen King’s core themes while creating something truly unique with his mammoth bibliography.
In a stern test for even the most hardened splatter film fanatics, Roberto Scorza offers a powerful solo performance.
Offering the same taut suspense as its predecessor, there is much to enjoy in this terrific exercise in nerve-wrecking tension.
With nihilism and transgressional fiction at its core, Habit provides a putrid snapshot into a sordid, untold underworld.
Darkly absurd humour, with a deeply unsettling score and cinematography that bolster the portentous atmosphere of dread.
Endlessly packed with memorable quirks and some exquisite anime sequences, this eccentric effort is essential viewing.
Caniba provides a confidential, intoxicatingly claustrophobic portrait of Issei Sagawa that never fails to subtly unsettle and horrify.
While the tales are condensed, key dialogue and memorably nerve-jangling passages are retained. All are hauntingly effective.
Ambiguous and beautifully insidious as result, Rift is an impressive sophomore effort from Icelandic filmmaker Erlingur Thoroddsen.
An astonishing and brave feature debut that marks director-writer Liam Gavin as one to watch. Highly recommended.
Arrow present a limited 4K restoration of Dario Argento's startlingly assured directorial debut.
Possessing a strong comic book aesthetic, Demon Hunter echoes the likes of Buffy the Vampire Slayer and Blade.
Masterfully blends suspense with breakneck violence to produce what is perhaps one of the best teen slashers of the 21st century.
Halfworlds brings a strong aesthetic via excellent concept but is ultimately let down by poor pacing and a bad cast.
A huge deviation in tone from the derelict moodiness captured by director J. A. Bayona, despite some wonderful artwork.
A fascinating central premise strongly evokes The Twilight Zone, the focused script ensuring an insular, intimate atmosphere.
A dark, terse and keenly paced little chiller that brims with unsettling ideas and nightmarish detail, subverting expectations.
Explores uncomfortable humanitarian and environmental issues, but these themes fail to harmonise with supernatural elements.
Drew Barrymore shines in a stylised affair that revels in a refreshing juxtaposition of viscera with middle-class suburbia.
A triumphant debut effort which offers unique tension and poignancy and isn’t afraid to confront uncomfortable cultural realities.
Dream team Adam Wingard and Simon Barrett bring an unusually hit-and-miss affair that nevertheless delivers in a frenetic final act.
Sardonic elements balance with emphatic characters and sharp camerawork to ensure the film's anxious torsion maintains its focus.
Cuts to the core of the horror without ever diluting or compromising M. R. James’ carefully woven plots. Recommended for die-hard enthusiasts.
Featuring the Devil in his most vanilla of forms, horror fans will be left wanting; Lucifer is disappointingly sparse on strong imagery.
Australian outback killer Mick Taylor returns in Wolf Creek the series, an addictively unsettling watch that comes highly recommended.
As is generally the case for an anthology, Holidays is a mixed bag, touching all bases between effectively chillsome and irritating.